ogwen valley

Midnight in the Ogwen Valley

A look at the forecast for the Bank Holiday weekend suggested it would be a good time to head up North to Snowdonia so I did just that and the conditions didn't disappoint. Wall to wall sunshine and warmth by day giving way to clear moonless nights. Trying to combine hobbies doesn't always work out too well. I went walking and scrambling with friends during the day and in such circumstances I rarely get in the zone or position to take photos. I managed some phone snaps in the blazing sunshine but by the time the light began to turn golden, we'd headed down to get a well deserved ice cream and collect our medals. No complaints from me. But as I've discussed here before, going to take photos requires solitude which is usually for the best as it can be a maddening process getting a good shot; Many minutes pass by experimenting with different angles or walking back and forth and around and about trying to get a composition just right, often followed by curses before walking off then returning to the same spot because a more attractive cloud has drifted into the scene when my back was turned. It's not that enjoyable for someone who expects a walk in the style of a normal person especially as more often than not, the results don't please and never see the light of day. This is the only picture worth sharing here after a few days spent in Snowdonia.

At night I said my goodbyes and found my solitude in the Ogwen valley. Stood opposite the grand peak of Pen yr Ole Wen, waiting until nearly midnight before the last of the days light had faded away and let all those stars shine in the deep blue darkness. Adding to the magic of that night, as the last cars headed home down the valley, the aurora lent purple to the palette and a green smudge across the horizon above Bethesda and Bangor.

This shot is taken only a hundred metres or so away from where my last Snowdonia picture was taken in my post from 12th February. Promise next time I'll go somewhere else!

Following John Piper's lead in Snowdonia

I've spent a bit of time in the hills recently. A trip to Snowdonia a couple of weeks ago and the Western edge of the Brecon Beacons this weekend. Below is a shot from the Snowdonia trip, a view down the Ogwen Valley.

The artist John Piper painted many scenes in Snowdonia and I had in mind his paintings whilst wandering around up there as the palette at this time of year is typical of his work. He ended up spending time there after initially being sent on an uncompleted commission to draw the interior of Manod Mawr quarry where artworks from the National Gallery were stored during the Blitz. He fell in love with the area and rented a house in the Ogwen valley during the winter months.

More info on John Piper

The light was fairly flat for me this time but Piper understood the importance of immersing yourself in the landscape and here’s two fantastic quotes for anyone trying to understand how time to fully absorb the nature of a scene is essential to interpreting it...

Each rock laying in the grass had a positive personality: for the first time I saw bones and the structure and the lie of the mountains, living with them and climbing them as I was, lying on them in the sun and getting soaked with rain in their cloud cover and enclosed in their improbable, private rock-world in fog

The rocks can look grey in a leaden light, and then do not, commonly. Against mountain grass or scree, against peaty patches near tarns, on convex slopes, in dark cwms, the same kind of rock can look utterly different, and changes equally violently in colour according to the light and time of year. The rocks are often mirrors for the sky, sometimes antagonistic to the sky’s colour.”

I’ll be returning to spend more time in Snowdonia to follow Piper’s lead and hopefully get better light and more drama.